Tuesday, November 20, 2012
In hoodoo, red onions are used extensively both for so called "white" magicks such as keeping the peace around the house. They also lend themselves to more "gray" magick - or gris-gris if you will. In these cases the red onion or parts of it are used to keep a beloved under the root worker's thrall, beginning and/or continuing a relationship whether or not the other party is entirely on board with the idea. This is a type of manipulative magick that hoodoo very rarely thinks twice about. In practices like Wicca, however, the rule of three would be minded and manipulation would be shunned. At least in theory.
So let us turn to an old hoodoo trick for a peaceful home, which surely a number of us could use with the Holidays fast approaching.
Take a red onion and bore a hole in it through to the center but not all the way out the other side. Fill the hole with sugar and seal it up with some sort of stuffing, onion bits, hot wax, what ever works for you. Now conceal the onion somewhere over the door that most folks go in and out of the house through. A great way to accomplish the concealment is to put a little shelf over your door - they're available all over the place now - and fill it with knickknacks. Include a decorative box in which to put the onion. Voila! Be sure to do this with intention, and change the onion as often as you like but at least once a year.
According to Scott Cunningham, old wives once insisted that red onions could draw away illness and misfortune and protect the home they were in. For this reason a red onion was tied to the bedpost, especially of those who were recuperating from illness.
Both Wiccans and root workers will advise you that throwing away onion skins - particularly on the ground - is a sure way to end your prosperity. The skins should instead be burned, either in the fireplace or on the stove, to increase prosperity, draw in business, multiply affection and, in hoodoo at least, keep the law away. Bonne chance ~
Header: Two Idlers by Robert Frederick Blum via American Gallery